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	<title>Comments for Ballet NEWS | Straight from the stage - bringing you ballet insights</title>
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	<link>http://balletnews.co.uk</link>
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	<lastBuildDate>Fri, 11 May 2012 04:17:45 +0000</lastBuildDate>
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		<title>Comment on Ballet News Reviews &#124; The Healthy Dancer &#8211; ABT Guidelines for Dancer Health by Dancing Branflake</title>
		<link>http://balletnews.co.uk/ballet-news-reviews-the-healthy-dancer-abt-guidelines-for-dancer-health/#comment-19111</link>
		<dc:creator>Dancing Branflake</dc:creator>
		<pubDate>Fri, 11 May 2012 04:17:45 +0000</pubDate>
		<guid isPermaLink="false">http://balletnews.co.uk/?p=8170#comment-19111</guid>
		<description>Thanks for sharing this! I&#039;m definitely interested to know what the book says about body image and burnout, the two things that plague my students the most.</description>
		<content:encoded><![CDATA[<p>Thanks for sharing this! I&#8217;m definitely interested to know what the book says about body image and burnout, the two things that plague my students the most.</p>
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		<title>Comment on Cupcakes &amp; Conversation with Julie Diana, Principal Dancer, Pennsylvania Ballet by Romy Macias</title>
		<link>http://balletnews.co.uk/cupcakes-conversation-with-julie-diana-principal-dancer-pennsylvania-ballet/#comment-19069</link>
		<dc:creator>Romy Macias</dc:creator>
		<pubDate>Wed, 09 May 2012 03:06:35 +0000</pubDate>
		<guid isPermaLink="false">http://balletnews.co.uk/?p=8154#comment-19069</guid>
		<description>Great interview!

I love the &quot;regular Mom&quot; stuff.

-Romy</description>
		<content:encoded><![CDATA[<p>Great interview!</p>
<p>I love the &#8220;regular Mom&#8221; stuff.</p>
<p>-Romy</p>
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		<title>Comment on Ballet Business &#124; You are what you eat by Ballet News</title>
		<link>http://balletnews.co.uk/ballet-business-you-are-what-you-eat/#comment-18997</link>
		<dc:creator>Ballet News</dc:creator>
		<pubDate>Sat, 05 May 2012 13:53:17 +0000</pubDate>
		<guid isPermaLink="false">http://balletnews.co.uk/?p=8132#comment-18997</guid>
		<description>thank you to everyone who has responded - both publicly and privately. Please don&#039;t hesitate to get in touch if you&#039;d like more information or help in finding someone who can help you, or someone you know.</description>
		<content:encoded><![CDATA[<p>thank you to everyone who has responded &#8211; both publicly and privately. Please don&#8217;t hesitate to get in touch if you&#8217;d like more information or help in finding someone who can help you, or someone you know.</p>
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		<title>Comment on Ballet Business &#124; You are what you eat by Ballet News</title>
		<link>http://balletnews.co.uk/ballet-business-you-are-what-you-eat/#comment-18996</link>
		<dc:creator>Ballet News</dc:creator>
		<pubDate>Sat, 05 May 2012 13:52:18 +0000</pubDate>
		<guid isPermaLink="false">http://balletnews.co.uk/?p=8132#comment-18996</guid>
		<description>Kathryn Andrews Nagelberg     great article, well written and informed</description>
		<content:encoded><![CDATA[<p>Kathryn Andrews Nagelberg     great article, well written and informed</p>
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		<title>Comment on Ballet Business &#124; You are what you eat by DBrown</title>
		<link>http://balletnews.co.uk/ballet-business-you-are-what-you-eat/#comment-18895</link>
		<dc:creator>DBrown</dc:creator>
		<pubDate>Thu, 03 May 2012 16:56:39 +0000</pubDate>
		<guid isPermaLink="false">http://balletnews.co.uk/?p=8132#comment-18895</guid>
		<description>Hello there Charlotte. Thank you for your insightful feedback and comments on the article. As you rightly state, the taboo is more of the challenge and so this article in Ballet News will hopefully offer more information to the lack of , or ignoring of that knowledge.
I would like to just add some comments to pick up on what you said about the young. Mine will be more centered around the idea of talent. Firstly &#039;talent&#039; at the tender age that most young children ( I use this word purposefully) start ballet school, while in some is present, it is not the sole criteria upon which they are selected. The pre-selection is in part based on body type. This is as most dance professionals know, a slippery slope, for selection for talented potential, in ballet is related to a body type! And so children who have not yet &#039;stretched-out&#039; and might still have &#039;chubby cheeks&#039; ,are already at a tender age deemed as not quite right for the ballet profession even though they may be extremely talented in the sense of encompassing a sense of grace, equipoise and musical &#039;elegance&#039; that are a part of especially, the early years of ballet training. 
Secondly, talent is often defined by the &#039;arch of the foot&#039; or the &#039;length of the arms&#039; or the size of the head , all of which on partially relate to the total of dancing. So while a young child might posses some of these qualities. the actually &#039;talent&#039; has not be developed . Therefore at the age they are selected , its not yet clear if the body aesthetic , will match the development of the growing body. 
Bodies grow in accordance with more than just training . which is why  good nutrition is so important to learn early. Learning how to fuel talent provides a stronger base for success in the long term, rather than teaching young kids, directly and indirectly to starve their talent. Further, talent for dancing is often confused with a talent for ballet, in many ballet schools. Because one does not display a talent for ballet says nothing about the potential for that persons development as a dancer... While ballet is indeed an aesthetic art form , it is not as many would believe uniform... understanding this from the top down ( Directors to dancers .. Parents to Students Educators to Teachers ) will help everyone aid the student dancers grow to be a fully functional adult who may one day go on to do ballet, and if not, or other forms of dance, and even be the artist of the future.</description>
		<content:encoded><![CDATA[<p>Hello there Charlotte. Thank you for your insightful feedback and comments on the article. As you rightly state, the taboo is more of the challenge and so this article in Ballet News will hopefully offer more information to the lack of , or ignoring of that knowledge.<br />
I would like to just add some comments to pick up on what you said about the young. Mine will be more centered around the idea of talent. Firstly &#8216;talent&#8217; at the tender age that most young children ( I use this word purposefully) start ballet school, while in some is present, it is not the sole criteria upon which they are selected. The pre-selection is in part based on body type. This is as most dance professionals know, a slippery slope, for selection for talented potential, in ballet is related to a body type! And so children who have not yet &#8216;stretched-out&#8217; and might still have &#8216;chubby cheeks&#8217; ,are already at a tender age deemed as not quite right for the ballet profession even though they may be extremely talented in the sense of encompassing a sense of grace, equipoise and musical &#8216;elegance&#8217; that are a part of especially, the early years of ballet training.<br />
Secondly, talent is often defined by the &#8216;arch of the foot&#8217; or the &#8216;length of the arms&#8217; or the size of the head , all of which on partially relate to the total of dancing. So while a young child might posses some of these qualities. the actually &#8216;talent&#8217; has not be developed . Therefore at the age they are selected , its not yet clear if the body aesthetic , will match the development of the growing body.<br />
Bodies grow in accordance with more than just training . which is why  good nutrition is so important to learn early. Learning how to fuel talent provides a stronger base for success in the long term, rather than teaching young kids, directly and indirectly to starve their talent. Further, talent for dancing is often confused with a talent for ballet, in many ballet schools. Because one does not display a talent for ballet says nothing about the potential for that persons development as a dancer&#8230; While ballet is indeed an aesthetic art form , it is not as many would believe uniform&#8230; understanding this from the top down ( Directors to dancers .. Parents to Students Educators to Teachers ) will help everyone aid the student dancers grow to be a fully functional adult who may one day go on to do ballet, and if not, or other forms of dance, and even be the artist of the future.</p>
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		<title>Comment on Ballet Business &#124; You are what you eat by Charlotte</title>
		<link>http://balletnews.co.uk/ballet-business-you-are-what-you-eat/#comment-18854</link>
		<dc:creator>Charlotte</dc:creator>
		<pubDate>Wed, 02 May 2012 22:27:54 +0000</pubDate>
		<guid isPermaLink="false">http://balletnews.co.uk/?p=8132#comment-18854</guid>
		<description>Thank you for such a well thought out and sensitive piece of writing on an oft glamourised subject. I should apologise in advance for my rather lengthy response - this is a subject which I feel very passionate about, and which I have found in there is little opportunity to explore openly. As you say, eating disorders are more or less accepted in the dance industry, but at the same time, they are accepted as a taboo topic. Or where not taboo, discussion is often met with resistance. 

Personally, I think that what sparks that defensive reaction from those in the ballet world is the flawed implication that because there is a high incidence of eating disorders in ballet dancers, ballet causes eating disorders. The blame aspect. In my experience, whilst not always conducive to perfect health, neither ballet, nor ballet company directors, nor ballet masters/mistresses, nor ballet teachers are to blame.

The explanation for the high incidence of eating disorders in dancers is surely the high incidence of certain personality types in dancers. The traits which make for the best dancers - being hard working, eager to please, submissive, perfectionistic - are the same traits which are often manifest in those who fall victim to eating disorders. I do not suggest that these traits result necessarily in eating disorders, but, unfortunately, when combined with low self esteem, this, or other forms of self harm or destructive behaviour, can be the outcome.

There are other factors, of course, which also come into play, such as, as already discussed, the perception of the &quot;perfect&quot; dancer (both in terms of achieving the ideal body type and in working through the suffering traditionally linked to the art), necessary preoccupation with aesthetics, and a desire to make oneslf noticeable amongst a competitive crowd, but my sense is that if dancers&#039; self esteem is established and protected, these factors become simple inevitable realities, with solutions which are not centred around food and eating.

It is interesting that there is often little distinction made between the occurrence of eating disorders in professional dancers and eating disorders in dance students, since often the physically and emotionally weaker dancers are weeded out by selection, will or nature before becoming professionals. I also wonder about the stage at which self esteem (as distinct from more fluctuating confidence) is established - whether the teen years, or rather the student years, are key in this respect. If so, it would certainly seem to make sense to focus efforts on dance students.

These young and vulnerable kids are exposed to things which many would not encounter for a number of years, if at all - living away from home, serious competition, harsh criticism, rejection, total dedication to one single goal at the expense of many others, as well as the sheer volume of work. I&#039;m not sure that kids are equipped to deal with all that, or that schools do all that they can to ensure that they are, if not protected from, then armed with the emotional skills and with the resources to keep them safe, happy, and well in the face of these challenges... So much energy is spent in making sure that the most talented dancers are in the right places with the right opportunities, but perhaps more could be done to ensure that this talent can blossom, and is not lost or broken altogether.

Please do note that all of the above is based purely on my own thoughts and perceptions following years struggling with and overcoming an eating disorder whilst at ballet school. I&#039;m not sure about what schools other than mine might do differently, or indeed whether my school is now doing things differently from how it did a few years ago. I am sure, however, that the energy would be well invested, and that I should certainly like to play my part.</description>
		<content:encoded><![CDATA[<p>Thank you for such a well thought out and sensitive piece of writing on an oft glamourised subject. I should apologise in advance for my rather lengthy response &#8211; this is a subject which I feel very passionate about, and which I have found in there is little opportunity to explore openly. As you say, eating disorders are more or less accepted in the dance industry, but at the same time, they are accepted as a taboo topic. Or where not taboo, discussion is often met with resistance. </p>
<p>Personally, I think that what sparks that defensive reaction from those in the ballet world is the flawed implication that because there is a high incidence of eating disorders in ballet dancers, ballet causes eating disorders. The blame aspect. In my experience, whilst not always conducive to perfect health, neither ballet, nor ballet company directors, nor ballet masters/mistresses, nor ballet teachers are to blame.</p>
<p>The explanation for the high incidence of eating disorders in dancers is surely the high incidence of certain personality types in dancers. The traits which make for the best dancers &#8211; being hard working, eager to please, submissive, perfectionistic &#8211; are the same traits which are often manifest in those who fall victim to eating disorders. I do not suggest that these traits result necessarily in eating disorders, but, unfortunately, when combined with low self esteem, this, or other forms of self harm or destructive behaviour, can be the outcome.</p>
<p>There are other factors, of course, which also come into play, such as, as already discussed, the perception of the &#8220;perfect&#8221; dancer (both in terms of achieving the ideal body type and in working through the suffering traditionally linked to the art), necessary preoccupation with aesthetics, and a desire to make oneslf noticeable amongst a competitive crowd, but my sense is that if dancers&#8217; self esteem is established and protected, these factors become simple inevitable realities, with solutions which are not centred around food and eating.</p>
<p>It is interesting that there is often little distinction made between the occurrence of eating disorders in professional dancers and eating disorders in dance students, since often the physically and emotionally weaker dancers are weeded out by selection, will or nature before becoming professionals. I also wonder about the stage at which self esteem (as distinct from more fluctuating confidence) is established &#8211; whether the teen years, or rather the student years, are key in this respect. If so, it would certainly seem to make sense to focus efforts on dance students.</p>
<p>These young and vulnerable kids are exposed to things which many would not encounter for a number of years, if at all &#8211; living away from home, serious competition, harsh criticism, rejection, total dedication to one single goal at the expense of many others, as well as the sheer volume of work. I&#8217;m not sure that kids are equipped to deal with all that, or that schools do all that they can to ensure that they are, if not protected from, then armed with the emotional skills and with the resources to keep them safe, happy, and well in the face of these challenges&#8230; So much energy is spent in making sure that the most talented dancers are in the right places with the right opportunities, but perhaps more could be done to ensure that this talent can blossom, and is not lost or broken altogether.</p>
<p>Please do note that all of the above is based purely on my own thoughts and perceptions following years struggling with and overcoming an eating disorder whilst at ballet school. I&#8217;m not sure about what schools other than mine might do differently, or indeed whether my school is now doing things differently from how it did a few years ago. I am sure, however, that the energy would be well invested, and that I should certainly like to play my part.</p>
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		<title>Comment on Ballet Business &#124; You are what you eat by Ballet News</title>
		<link>http://balletnews.co.uk/ballet-business-you-are-what-you-eat/#comment-18839</link>
		<dc:creator>Ballet News</dc:creator>
		<pubDate>Wed, 02 May 2012 12:39:32 +0000</pubDate>
		<guid isPermaLink="false">http://balletnews.co.uk/?p=8132#comment-18839</guid>
		<description>@Jennifer thank you for your comment.  I agree, and I think there is an acceptance, albeit unspoken, within the ballet industry that DE is an issue.  Where I find the most resistance in terms of taking action to tackle it is in terms of whether it&#039;s more or less of a problem within ballet than within society in general.  Most people seem to think that it is not, and your comments also reflect that to a degree.  And yet - look at the research.  Whilst more is needed specifically around properly defined professional ballet dancers versus the general population, they all agree that training to be a ballet dancer puts a person in a higher risk group than a control individual in the population. Removing the inherent shame of DE is also essential if we&#039;re to make progress, as well as education, because there are still ballet companies around the world who will reject a student who doesn&#039;t meet their weight tables.</description>
		<content:encoded><![CDATA[<p>@Jennifer thank you for your comment.  I agree, and I think there is an acceptance, albeit unspoken, within the ballet industry that DE is an issue.  Where I find the most resistance in terms of taking action to tackle it is in terms of whether it&#8217;s more or less of a problem within ballet than within society in general.  Most people seem to think that it is not, and your comments also reflect that to a degree.  And yet &#8211; look at the research.  Whilst more is needed specifically around properly defined professional ballet dancers versus the general population, they all agree that training to be a ballet dancer puts a person in a higher risk group than a control individual in the population. Removing the inherent shame of DE is also essential if we&#8217;re to make progress, as well as education, because there are still ballet companies around the world who will reject a student who doesn&#8217;t meet their weight tables.</p>
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		<title>Comment on Ballet Business &#124; You are what you eat by Jennifer Rowe</title>
		<link>http://balletnews.co.uk/ballet-business-you-are-what-you-eat/#comment-18835</link>
		<dc:creator>Jennifer Rowe</dc:creator>
		<pubDate>Wed, 02 May 2012 12:20:09 +0000</pubDate>
		<guid isPermaLink="false">http://balletnews.co.uk/?p=8132#comment-18835</guid>
		<description>Are there eating disorders in ballet? Almost certainly. It&#039;s a tough profession where you are staring at yourself in a mirror for however many hours a day, actively looking for your faults, there are bound to be issues, especially when you compare the pressures that dancers bodies are put under now compared to 50 years ago to be more athletic, more flexible, for their legs to go higher, their jumps to be bigger... 
As a keen ballet watcher, are there dancers I see and think &quot;you need to put on some weight&quot;? Absolutely. But equally I know people I work with who I think &quot;you need to put on some weight&quot; and I work in an office environment where no-one cares how thin we are.
My other perspective on the issue is as unofficial baker to BRB! It&#039;s a long story how it came about but periodically I make cakes for the company and all I will say is that I have never seen so much cake disappear so quickly! They need the energy. 
Do I have concerns for the industry as a whole? Yes but with careful monitoring and management I think that companies can minimise the impact that EDs have on their dancers.</description>
		<content:encoded><![CDATA[<p>Are there eating disorders in ballet? Almost certainly. It&#8217;s a tough profession where you are staring at yourself in a mirror for however many hours a day, actively looking for your faults, there are bound to be issues, especially when you compare the pressures that dancers bodies are put under now compared to 50 years ago to be more athletic, more flexible, for their legs to go higher, their jumps to be bigger&#8230;<br />
As a keen ballet watcher, are there dancers I see and think &#8220;you need to put on some weight&#8221;? Absolutely. But equally I know people I work with who I think &#8220;you need to put on some weight&#8221; and I work in an office environment where no-one cares how thin we are.<br />
My other perspective on the issue is as unofficial baker to BRB! It&#8217;s a long story how it came about but periodically I make cakes for the company and all I will say is that I have never seen so much cake disappear so quickly! They need the energy.<br />
Do I have concerns for the industry as a whole? Yes but with careful monitoring and management I think that companies can minimise the impact that EDs have on their dancers.</p>
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		<title>Comment on Ballet News reviews &#124; First Position by Ballet News</title>
		<link>http://balletnews.co.uk/ballet-news-reviews-first-position/#comment-18668</link>
		<dc:creator>Ballet News</dc:creator>
		<pubDate>Sat, 28 Apr 2012 13:42:22 +0000</pubDate>
		<guid isPermaLink="false">http://balletnews.co.uk/?p=8100#comment-18668</guid>
		<description>Sheila Vernick Orysiek ‎&quot;No training is too painful?&quot; This really looks much too extreme to me. This is circus not classical ballet. Where is the delicacy? the emphasis on artistry? Reminds me why I&#039;ve never liked these dance contests.</description>
		<content:encoded><![CDATA[<p>Sheila Vernick Orysiek ‎&#8221;No training is too painful?&#8221; This really looks much too extreme to me. This is circus not classical ballet. Where is the delicacy? the emphasis on artistry? Reminds me why I&#8217;ve never liked these dance contests.</p>
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		<title>Comment on Ballet News reviews &#124; First Position by Ballet News</title>
		<link>http://balletnews.co.uk/ballet-news-reviews-first-position/#comment-18667</link>
		<dc:creator>Ballet News</dc:creator>
		<pubDate>Sat, 28 Apr 2012 13:41:57 +0000</pubDate>
		<guid isPermaLink="false">http://balletnews.co.uk/?p=8100#comment-18667</guid>
		<description>Pituxa Guerreiro    when is the premiere of this film at the cinema?</description>
		<content:encoded><![CDATA[<p>Pituxa Guerreiro    when is the premiere of this film at the cinema?</p>
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